The Couture FW19 collection presents a hidden, tenebrous, darkly romantic spring with a Gothic touch. Inspired by the stories of Edgar Allan Poe and the illustrations of Harry Clarke and Aubrey Beardsley, the colorful designs characteristic of the brand are hugged by black and white, fu- sed in forms that are reminiscent of the decorative arts of the late nineteenth and early twentieth century.
Along with Art Nouveau and Arts & Crafts, the other most important influence of the creative director Yolanda Pérez are the decades of the 60s and 70s. The black and white binomial of the collection has its point in common with the op art of the 60s, being the graphics of the French de- signer Louis Féraud a reference in con- ceiving and creating the ornamentations of the pieces of Todas las primaveras de un invierno / All the springs of a winter, with abundant embroideries and hand- sewn rhinestones.
Among the collaborators, Yolancris has counted with Roselinde’s jewelry. The li- ght of the Canary Islands and its natural landscapes are the greatest inspiration of Ros Jiménez, owner and designer of the brand, that has fused with the black and white binomial and the organic forms of Féraud’s work for the fashion show. The Firm has also counted with the footwear of the English designer Sophia Webster and the hair and makeup of the Brazilian stylist Marcello Costa, as well as the PR consultancy of Mabel Gago.
The cava post fashion show is hospitality of the Catalan cava cellar Parxet, and the
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